performances

Her performance works oscillates between digital and analogue medium, combining original cross-border techniques between real-time video feedback and digital and acoustic sounds. She often uses overhead projectors, slide projectors, typewriters, clocks, that are amplified via micro-contact microphones, combined with acoustic and digital sounds.

Various process of interplay between time-performance-memory-projection-sound-scenography-acoustic-digital-sound-object-mise-en-scène.

– Miroirs et fragments fantastiques –

Auderrose_performance_mirroir_web_04

Photography credit Doron Sadja
Spektrum, Berlin, Germany, March 2018

Immersed in a narrative drift AudeRrose creates a dream like shadow play composed with fragments memory deformed in real time, the voice is combined with old vinyl tunes, guitar and sound effects. The narration immerses the viewer in an imaginary space, crossing deserts, forests and fantastic landscapes created on the surface of overhead projectors. During the journey, the persona is having hallucinations trying to modify the vision of reality. Playing with reflections and archaic light devices, objects and mirrors, filling the space with dynamic diffracted projections. The show is a premiere.

Miroirs et fragments fantastiques Premiere at Spektrum from Aude Françoise on Vimeo.

– Rouge sang at Gasewerk –

08.04.2018 / Studio 100 / Werkschau 2 / AV.Stream 100-1 im im Gaswerk Weimar / Foto: Henry Sowinski

Photography credit Henry Sowinski
Gaswerk, Weimar, Germany, April 2018

“Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analogue projection and sounds. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. The space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble.
The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow… The vibration of the sound is slowly modified with digital effects turning the experience in electro acoustic drift, where the action of the performers produce a sonic improvisation. The experience of reality slowly drifts into a ritual mythological narrative, immersing the spectator in surrealist audio-visual shadow play.

Rouge Sang at Gaswerk Weimar from Aude Françoise on Vimeo.

– Rouge sang at Eintanzhaus –

auderrose_rougesang_performance_eintanzhaus_02

Photography credit KDK photo and Roman O. Heller
MicroB, Mannheim, Germany, March 2018

“Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analogue projection and sounds. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. The space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble.
The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow.

Rouge Sang at MicroB Eintanzhaus from Aude Françoise on Vimeo.

– Rouge sang at Teatro Forte –

auderrose_nikky_rougesang_expanded_teatroforte_03

Photography credit Francesca Nesci
Teatro Forte, Rome, Italy, November 2017

“Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analogue projection and sounds. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. The space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble.
The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow.
The vibration of the sound is slowly modified with digital effects turning the experience in electro acoustic drift, where the action of the
performers produce a sonic improvisation. The experience of reality slowly drifts into a ritual mythological narrative, immersing the spectator in surrealist audio-visual shadow play.
The performance is a sort of shamanic experience on how to transform reality into fiction exploring the idea of catharsis as an essential mode of survival. The two performers dressed in white lace costumes interact on the scene, playing with the projectors, interacting with material elements creating moving shadow play. They move on the scene and exchange position, like two ghost figures interacting with the pulsating light and sound.
The figures are a sort of surreal apparition of the body, shaping the light with symbolic elements diffracting the beams of the projection and creating an immersive space of fragile poetry.

– Cauchemar at Galilaakirche –

auderrose_patrick.kh.cauchemard_church_04

AudeRrose voice and shadow
Patrick K.-H. sound

“Cauchemar” is text based experimental performance inspired by Antonin Artaud. The spoken words are slowly distorted becoming the hallucinated voice of the imaginary persona trapped inside a nightmare. Combining guitar, effects units, shadow play and irrational poetry, the performance immerses the viewer in the audio visual poetry collage.
The figure speaks an improvised poetry telling about the imaginary experience on morphine where the body trapped in the unbearable pain finds mental dispositif of survival. The imaginary persona splitts into different stories and scenarios of the nightmares experienced under the infuence of the drug, fragments of splitted memory are reactivated and deformed inside a disturbing monologue. The project is a cathartic metaphor on how to transform reality into fction, revealing the fragility of the human body.The shadow figure plays with light and paper cuts, interrupting and punctuating the voice improvisation.

Cauchemard premiere at museum Galiläakirche from AudeRrose on Vimeo.

Event curated by Liebig12
Jugend[widerstands]museum Galiläakirche
October 2017 Berlin
Photography credit Carl Krügel

– Rouge sang at Galilaakirche –

“Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analogue projection and sounds. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. The space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble.

auderrose_rougesang_performance_church_berlin06

Event curated by Liebig12
Jugend[widerstands]museum Galiläakirche
october 2017 Berlin

Performance and sound by AudeRrose

Photo credit Céline Pelé

Additional credits:
Theremins Brent Sqar

– Rouge sang at Spektrum –

Rouge sang from AudeRrose on Vimeo.

Performance and sound by AudeRrose
Special thanks to Lieke, Alfredo, Pharaz, Khanh, Mo, Wolfgang and all the friends and audience who came and support my work.
29th september 2017 Premiere in Spektrum

Additional credits:
Theremins Brent Sqar
Video Photography and technical assistance Pharaz Azimi

auderrose_rougesang_spektrum_berlin_02

“Rouge sang” is a metaphoric tale immersing the viewer in a dreamy shadow performance, combining analogue projection and sounds. The visual landscape is exploring a series of red objects projected into light with overhead and slide projectors. The space is filled with red moving shadow diffracting a collection of light objects, paper cuts, organic slides, composed as a visual collage evolving inside a space bubble.
The soundscape is produced with handmade pickup microphones amplifying cords, metallic objects, theremins and ebow… The vibration of the sound is slowly modified with digital effects turning the experience in electro acoustic drift, where the action of the performers produce a sonic improvisation. The experience of reality slowly drifts into a ritual mythological narrative, immersing the spectator in surrealist audio-visual shadow play.
The performance is a sort of shamanic experience on how to transform reality into fiction exploring the idea of catharsis as an essential mode of survival.
How can reality be transferred into an immersive fiction? The image becomes another reality that can be release from the memory and generate the necessary oblivion of the unbearable lightness of the being.

– Elliptical sound collage –

‘Elliptical sound collage’ by Patrick K.-H. & AudeRrose

auderrose_patrick.k.h_ellipticalsoundcollage_01

Visual vivisectional practices upon chinese ink, sun prints, painting, transforming organic shapes into surreal live collages, reflecting the journey that sound does simultaneously. The two performers, brought up in different conceptual and technical backgrounds, have crossed paths by sharing admiration to graphical sound, from its tradition to modernity – which gives them a pivot for the arising structure submitted within the graphical sound vocabulary.

The graphical sound is a max msp patch using live camera as input to generate the sound. The performer is drawing, painting and composing paper assemblages under the camera, via an image analysis system the sound is generated through the visual patterns (…) The unique vision of this audio-visual utopia reflects the possibilities of creating a synesthetic piece were visual and sound interact in a close correspondence. The common practice of painting, drawing and interactive technology has lead them to create this unique expanded piece, creating a synthetic visual and sound assemblage.

Additional programming by Oleg Makarov

Further information about max msp:

“Max is a visual programming language for music and multimedia developed and maintained by San Francisco-based software
company Cycling ‘74. During its history, it has been used by composers, performers, software designers, researchers, and artists
to create recordings, performances, and installations.”

https://en.wikipedia.org/wiki/Max_(software)

– Le paradis rouge at Shiny Toys –

auderrose_paradisrouge_shinytoys_live_06

Was playing “Le paradis rouge et l’oiseau impossible” for the Shiny toys festival.
Special thanks to Jan, Pharaz and all organization team!
It was such a beautiful festival.

“Le paradis rouge et l’oiseau impossible” is a semi-improvised audio-visual performance that links the movements of the performer to the sound via two handmade theremin instruments. The action of the performer creates electrical field variations depending on the distance and the contact to the two antennas. The circuits are handmade and designed for low-energy use. This single antenna theremin consist of two oscillators, one in constant vibration and the other driven by the capacitance between the antenna and the performer – or the antenna and the environment. The difference between the frequencies of the oscillations gives some audible signal, that, once filtered and plugged into the main patch, provides the unique sound.
The stage is filled with a collection of sound objects, picked up with piezo microphones combined with dedicated preamps. A music box, a zither, two theremins, a midi keyboard and an ipad piano are played during the improvisation, and recomposed by layers of sound effects, activated via the sound software. No sound samples are pre-recorded, all the process is achieved in real time with direct sound feedbacks. The soundscape is poetic and fragmented of errors and uncontrolled sonic accidents.

Le paradis rouge et l'oiseau impossible at Shiny Toys Festival from AudeRrose on Vimeo.

Performance, concept and projection by AudeRrose
Theremin, preamp and photography by Brent Sqar
Photography video documentation and technical assistance by Pharaz Azimi

– Le paradis rouge in Lab30 –

Was playing “Le paradis rouge et l’oiseau impossible” in Augsburg on the 28th november 2016 in the little theater!

auderrose_paradisrouge_performance_augsburg_lab30_2016_web_04

“Le paradis rouge et l’oiseau impossible” is a semi-improvised audio-visual performance that links the movements of the performer to the sound via two handmade theremin instruments. The action of the performer creates electrical field variations depending on the distance and the contact to the two antennas. The circuits are handmade and designed for low-energy use. This single antenna theremin consist of two oscillators, one in constant vibration and the other driven by the capacitance between the antenna and the performer – or the antenna and the environment. The difference between the frequencies of the oscillations gives some audible signal, that, once filtered and plugged into the main patch, provides the unique sound.
The stage is filled with a collection of sound objects, picked up with piezo microphones combined with dedicated preamps. A music box, a zither, two theremins, a midi keyboard and an ipad piano are played during the improvisation, and recomposed by layers of sound effects, activated via the sound software. No sound samples are pre-recorded, all the process is achieved in real time with direct sound feedbacks. The soundscape is poetic and fragmented of errors and uncontrolled sonic accidents.

Le paradis rouge et l'oiseau impossible at Lab30 from AudeRrose on Vimeo.

Performance, concept and projection by AudeRrose
Theremin, preamp and photography by Brent Sqar
Photography documentation and technical assistance by Pharaz Azimi
Microphone design By Kasia Justka

– Rotative memory –

auderrose-rotative_memory-spektrum-2016-performance-IMG_2638

Presented premiere show in Spektrum Berlin, Germany, june 2016

Rotative memory live at Spektrum from AudeRrose on Vimeo.

“Rotative memory” is the shadow tale of the infinite movement of rotating bicycle wheel. On the stage a collection of mechanical objects explore different variations of circular movements. The elements are creating moving shadows inside the room with an overhead projector and a Super 8 projector alternating light sources and diffracting the shadows of the rotating wheels. A collection of sound objects, phone, wheel, turntable (…) are picked up with piezo microphones, creating a metallic and mechanical sound patterns slowly modified in real time. A fragile moving mirror sculptures made with servo motors is turning in the middle of the space alternatively diffracted by the light beams. Finally a homemade electronic suitcase hides the surrealist treasures of another secret electronic apparatus.

AudeRrose is multi-disciplinary artist working with performance, photography, sound and projection. Her imagery plays with narrative structures, developing dreamy and intimate universes, exploring various forms of interplay between body, images in motion, deconstructive narrations and self-mythology. Her performances articulate live scenography protocols integrating the projection as an environment medium, considering the black box as a possible oneiric space, where sounds and images communicate in a narrative journey.

Performance: AudeRrose
Technical design: Brent Sqar

– Le paradis rouge live in Theater festival Schwindel Frei –

Was playing “Le paradis rouge et l’oiseau impossible” in Mannheim on the 27th may, was very special moment!
Thanks so much to Sqar, Robin, Melanie, and all the festival organisation to make this possible and to the audience who came to see the show.
Fragile fragmented memory trace, the paradise birds were singing inside a metaphorical dream bubble.

auderrose-le_paradis_rouge-facing_2066_festival_20160527-mannheim-IMG_2612

AUDE RROSE: “LE PARADIS ROUGE ET L’OISEAU IMPOSSIBLE” / AUDIOVISUAL STORY-TELLING

In the run-up to this year’s Schwindelfrei festival, the Mannheim linguist activists at wortbruch invite you to take part in two excellent events that open up new scope for words: on 27 May there will be an audiovisual tale of the future, Le paradis rouge et l’oiseau impossible mit Aude Rose. And on 29 May, the musicians from LEKTRON will plunge into Padget Powell’s English language novel, The Interrogative Mood.

Le paradis rouge et l'oiseau impossible at Theater festival Schwindel Frei from AudeRrose on Vimeo.

Audiovisual story-telling: Aude Rrose

Le paradis rouge et l’oiseau impossible
Friday 27 May, 8:30 pm, c/o Einraumhaus

More information about the festival:

http://theaterfestival-schwindelfrei.de/en/programme/warm-up/audiovisual-story-telling-aude-rose/

– Le paradis rouge, VisionR festival, Paris 2016 –

Playing live in Paris at Centre Mercoeur, was a very special moment!
Thanks so much to Sqar, Laurent and all the visionr team, homemade collective, centre mercoeur and all friends and family who came!
It was a magic strange fragile moment suspended inside a fragment of memory.

auderrose-le_paradis_rouge-visionr_festival_20160521-paris-IMG_2549

AudeRrose live performance, sound and photography
Brent Sqar circuit, sound technic and photography

Le paradis rouge et l'oiseau impossible live at visionr festival from AudeRrose on Vimeo.

“Le paradis rouge et l’oiseau impossible” is a semi-improvised audio-visual performance that links the movements of the performer to the sound via two handmade theremin instruments. The action of the performer creates electrical field variations depending on the distance and the contact to the two antennas. The circuits are handmade and designed for low-energy use. This single antenna theremin consist of two oscillators, one in constant vibration and the other driven by the capacitance between the antenna and the performer – or the antenna and the environment. The difference between the frequencies of the oscillations gives some audible signal, that, once filtered and plugged into the main patch, provides the unique sound.
The stage is filled with a collection of sound objects, picked up with piezo microphones combined with dedicated preamps. A music box, a zither, two theremins, a midi keyboard and an ipad piano are played during the improvisation, and recomposed by layers of sound effects, activated via the sound software. No sound samples are pre-recorded, all the process is achieved in real time with direct sound feedbacks. The soundscape is poetic and fragmented of errors and uncontrolled sonic accidents.
The projection is created live on the surface of an overhead projector, with various series of archive images, inks, glass, letters (…) and other composite materials that are assembled on the glass of the projector, creating deconstructed light collage. The collection of im- ages were found in the box belonging to my grand mother, they were digitalised and printed for projection. The narrative reactives visual fragments of her personal history, recomposing them in new narration.
The slides were done with a modified cross development process to achieve this colour result out of the black and white material. Two figures are photographed with long time exposure, creating a third vanishing body.
Between action and improvisation, the performance is an immersive piece placing the viewer in an oneiric space between sounds, projec- tions, story telling and ritual narration. The sound and visual performance is seen as a process, activating our memory loss immersed in a sonic collage.
The performance was created in the summer 2015 and presented live at Spektrum, Berlin, Germany in September 2015 and Live at Data- bitme festival, Arles, France in November 2015.

– Le paradis rouge et l’oiseau impossible –

Le paradis rouge et l'oiseau impossible live at Spektrum Berlin from AudeRrose on Vimeo.

AudeRrose live performance, sound and photography
Brent Sqar circuit, technic and photography

Live at Spektrum art technology community
Berlin, September 2015

“Le paradis rouge et l’oiseau impossible” is a semi-improvised audio-visual performance that links the movement of the performer to the sound via a handmade theremin, creating electrical variations. The stage is filled with a collection of sound objects, covered with contact microphones, creating a sound collage trying to reproduce the movement of a fallen bird. The projection is created on the surface of an overhead projector, with various series of archive images, inks, shadow, bones and other composite materials that are assembled live, creating the tale of a bird who forgot to how to fly. Between action and improvisation, the performance is an immersive piece placing the viewer in an oneiric space between sounds, projections, story telling and ritual narration.

Special thanks to Spektrum for the great venue, and Sqar.inc for the electronic wonder!

– Untitled improvisation –

auderrose_untitled_improvisation_live_overhead_performance_concert_01

Untitled improvisation with Susanne Froehlich, recorder and AudeRrose live overhead manipulation.
It was wonderful, i was transported in a narrative drift with the amazing sound of the instrument.

Photography by Pharaz Azimi

– Drei miniaturen –

N_auderrose_drei_miniaturen_live_overhead_performance_concert_01

Gineke Pranger / Maya Shenfeld / AudeRrose – Drei Miniaturen – for recorder, guitar and overhead projection.
Premiere special event – quiet cue #150
sonic.screening/ an audiovisual experiment
with students of UdK Berlin and HfM Hanns Eisler, and visual artists curated by quiet cue.

Photography by Nicolas Wiese and Kukuland

Drei Miniaturen from AudeRrose on Vimeo.

– Les machines solitaires expanded cithar performance –

auderrose_lesmachinessolitaires_kassel_live_2014_01

Les machines solitaire live at DokfestLoundge, Kassel.
Special slide and cithar variation.
Thanks to Jan, Claire, Homemade, and all the organisation.

Photogrpahy by Christian Sonntag

– Spectralala at Dokfest –

spectralala_homemadecollectif_live_performance_video_electroacoustic_kassel_dokfest_02

SPECTRALALA

Born from the discovery of Yogalala concept and the desire to create a performance based on pure frequencies, Spectralala project is a spectral music fantasy composed by Domitille Sanyas (cello) and André Fèvre (concrete sounds). The live video part is composed and played by A-li-ce, AudeRrose and Karina JunkFood as a collaborative process.

Photogrpahy by Christian Sonntag

– Les machines solitaires episcope variation performance –

auderrose_lesmachinessolitaires_roma_live_2014_01

Performance, variation in Rome, Italy, special thanks to valeria, julie and tommaso. It was a unique projection variation done with two episcope composed as diptych greatly manipulated and composed by valeria and tommaso, i created the sound part in a very experimental way. the acoustic of the room was fine and my cithar was sounding like an electric guitar.

– Les machines solitaires installation performance –

auderrose_les_machines_solitaire_performance_napoli_PAN_01

My performance “Les machines solitaires” was selected for the Ole festival on electronic literature, and displayed as performance and installation at the PAN Palazzo delle Arti Napoli, Italy, selected for young contemporary art price.
October 2014

Special thanks to all the people who supported me in this process (…)

Photography by Roberta Ladevaia

More informations & documentation:
lesmachinessolitaires.tumblr.com

Les machines solitaires live at PAN Palazzo delle Arti Napoli from AudeRrose on Vimeo.

– Les machines solitaires II-

Auderrose_les_machines_solitaire_live_bseite_festiva_05

21:00 – 21:30 Uhr Audiovisuelle Performance – AudeRrose @ Kubus, Zeitraumexit, Mannheim, Germany. March 2014

Piece of a strange sound-video-sculpture performance, all generated in real time.
In the corridor of our mind, time is playing under the surface of our skins.
Related metaphors are hidden in every symbolic objects and sounds.
Strange metallic sound-sculpture are hanging and playing with the physical oppression of time.
Do we still remember who we are after all those turns and critical behaviors.
When does reality remain trapped inside fiction?

Performance project “Les machines solitaires” – “the lonely machines”
5 real clocks, 3 sound sculptures, live video, 12 microphone piezo micro contact, 2 sensors, midi piano, audio mixer, ableton live, live hd webcamera, modul8, experimental sound collage.
All is generated in real time starting from the minimalist tic tac of the clock and ending in a kind of experimental sound collage, fallen like a dark corner of a metallic hybrid structure.
The metallic clock sculpture and organic shapes are filmed in real time and turned into an old image. Surreal, dark, dreamy conceptual.
In loving memory of Gisèle Brunaud.

Les machines solitaires av live B-Seite Jetztkultur thanks so much to Benjamin Jantzen, sven/Licht Installationen, Melanie Wetter, Christiano Domingo and Volker Hartmann-Langenfelder.

Image documentation by Volker Hartmann-Langenfelder

– Inside memory –

Auderrose_Inside memory performance 06

Live performance, Knock Knock, Berlin, October 2013
Inside memory is a collection of postcards found in a hidden box of my grandmother, manipulated and transformed in realtime video improvisation. The sound is an experimental sound assemblage, with an old zither, transceiver radio interference, tape recorder with old christmas german songs, metal plate and other improvised sound events.

The performance is a kind of metaphoric fall inside the vanishing process of images, memory and time, revisiting images and sound fragments.

Image documentation by Chris something

– Les machines solitaires –

lesmachinesolitaire_liveperformance_auderrose_clock_time_sound_sculpture_04

Live at AV Format, Berlin March 2013

New performance project “Les machines solitaires” 5 real clocks, 3 sound sculptures, live video, 12 microphone piezo micro contact, 2 sensors, midi piano, audio mixer, ableton live, live hd webcamera, modul8, experimental sound collage.

All is generated in real time starting from the minimalist tic tac of the clock and ending in a kind of experimental sound collage, fallen like a dark corner of a metallic hybrid structure.

The metallic clock sculpture and organic shapes are filmed in real time and turned into an old image. Surreal, dark, dreamy conceptual.

In loving memory of Gisèle Brunaud.
>Time< Sponsored By Sqar Special thanks to Kasia, Brent, Ioann, AV Format and Christian!

Les machines solitaires – live fragment – from AudeRrose on Vimeo.

Piece of a strange sound-video-sculpture performance, all generated in real time.In the corridor of our mind, time is playing under the surface of our skins. Related metaphors are hidden in every symbolic objects and sounds.Strange metallic sound-sculpture are hanging and playing with the physical oppression of time.
Do we still remember who we are after all those turns and critical behaviors.
When does reality remain trapped inside fiction?

– self made worlds –

[Barbara De Dominicis & Aude Francois]
for voice, electronics, and visual explorations
liberally adapted from ”House of Incest” by Anaïs Nin

selfmadeworlds_auderrose_barbaradedominicis_parma_teatrolenz_01

A dialogue between the organic body depicted in video and the sounds and voices present on the stage. The pieces used, which belong to the works of Anais Nin, are balanced between prose and poetry, between dream and waking. Anais Nin takes us by hand in a “non-place” which represents every place, “the invisibile line between sayable and unsayable…”. Each single word becomes a sheath, a container of images, the pretext for a sonic investigation whose most authentic meaning consists of the search for the sonic (vocal) fabric which is closest to the emotion of the moment. The flow of images visually retraces the vital state of Nin: recreating the voyage in the oneiric universe of Nin. A pause in non-being, a descent into nothingness, a state of grace which only a dream can be in an undefinable time not because it is outside of time but in all possible time.

Self made worlds live in Parma from AudeRrose on Vimeo.

More info about the project
http://self-made-worlds.com/

– piano salon –

09

Live at salon bruit, 04 may 2012
lichtblick kino, berlin

special thanks to kasia, brent, lars, ioanna, servando, laila

live performance digital and analogue, dia, video, digital piano, amplified objects, 2 typewriters, phone, clock, surveillance monitor, live camera, lamp, electric bird

photo credit I00I SqAR

 – the black bird –

Performance at bseite festival, Mannheim, 2012

Live sound and video aude francois

2 dia projector
1 overhead
1 clock
type writer
midi piano
ableton live
5 microcontacts
one electric bird

picture realized with sqar

help from pharaz and eva

special thanks to bseite team
rosa and mo
pharaz and eva

black_bird_performance_bseite_festival_07

 – overhead improvisation –

madsoverhed4

live overhead improvisation with the musicien mads at the kule theater in berlin.

 – expanded collage –

aude_francoise_utrecht_performance_freemote_overhead_acoustic_sound_01

live performance at freemote festival december 2011

aude francois video
servando barreiro programing and sound
accordion christian sonntag

photo credit georgina

2 overhead
1 super 8 projector
8 microcontact on phone, typewriter, super 8 preview monitor, clock
1 accordion
1 projector with webcam

filmed by emiko

patch

programing on live and pure data by the brillant servando barreiro

http://servandobarreiro.es/

 – the typewriter –

typewriter_live_performance_limbuseuropae_brentsqar_auderrose_video_abletonlive_art_newmedia_07

limbus europae, berlin, february 2011

photo credit christian sonntag and lars

Live performance, type writer, camera, micro contact microfone,modul8 and abelton live

AudeRrose & Brent Sqar

A floating narration, a dialogue between a men and a women, a typewriter and a computer, telling about impossibility to understand or communicate with the other. surrounded by a short movie shot in an abandonned berlin braurerei, two personnage, lost in a dream, surrounded by a decomposed environment, answering each other throught gesture and improvised action. telling about the sadness of acting in inner desert, searching for an impossible perfection.

 – shadow collage 2011 version III –

aude_francoise_collage_ombre_screenplay_chb_performance_2

live at screenplay, chb, berlin, april 2011

photo credit christian sonntag and krisztina turna

 – shadow collage 2011 version II –

live audio visual performance, programmed on pure data

video aude francois

sound and video programming servando barreiro

accordion christian sonntag

Shadow collage is an audiovisual performance completely generated in real time, developed by Aude François, video artist, Servando Barriero musician and programmer and Christian Sonntag, accordion player.

On a glass surface, covered with semi transparent paper, a webcam captures the video feedback, of series of illustrations manipulated, animated and sychronized to the sounds of the accordion (via a pure data patch). The instrument passes into audio filters, transforming the textures, combined with various atmospheres field recording.

This performance transports the viewer in a visual game, a narration where figures, forms and textures experience an aesthetic metamorphosis.The piece articulates a corpus of differents illustrations extracted from children’s books, recomposed as animated paterns and forms.

During 30 minutes the trio composes a video and sound performance generated in real time, combining acoustic and experimental atmosfere, searching to blur the reality of those pieces of paper strapped out of a book.
The interaction between the moving images and the sounds is processed via a synesthesia, analyzing the influence of the music on a real time feedback live video content.

The illustrations turn into shadows articulated in a floatting story, abstracted from its original context, transforming the prints into mooving images and paterns, leaving the maniplulation process visible to the viewer.

collage_ombre_live_video_performance_art_theater_auderrose_bseitefestival_02

live at b-seite festival, march 2011, mannheim, germany

photo credit chris something

 – shadow collage 2010 version I –

collage_ombre_live_video_performance_limbus_europae_berlin_04

live at limbus europae, berlin neukolln, november 2010

photo credit yagama and chris something

 – frozen flowers (2010) –

live audio visual performance
triple screen video with modul8, triplehead and midi controler, audio on pure data linux

video aude francois

sound Servando barreiro

Frozen Flowers is an audiovisual live performance illustrating a winter fall into a black and white undetermined place. Playing with the temporality of everyday objects, composed as shadows and paterns, an anonym body draws the lines of the inconstance of emotions and desires…

Fallen from the cloud of a lost dream, the middle frame of the composition is stopped in time and reactived in sychronisation with the music, creating a sort of stopmotion framing with video…This performance deals with “Das Unheimliche” of Freud’s theory as a way of redefining the sensation of feeling outside of our own body, watching our own life as a movie running in front of our closed eyes…

b-seite festival mannheim, germany, march 2011

Visual Berlin festival, C.H.B. , Berlin, Germany, april 2011

 – mecanique des fluides festival 2009 –


performed live
sound céline pelé, lucie domingo, mathias vaneeclo
video aude francois

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mecanique des fluides, visionsonic festival, centre reberioux, creteil, france, october 2008
foto credit samuel huron

 – mecanique des fluides residency 2009 –

live video acoustic performance, homemade residency, maki angouleme
original composition sound céline pelé, lucie domingo, mathias vaneeclo
performed with lucie domingo, andré fèvre, domitille sanyas

The physical theory of the fluid mechanics is the study of the behavior of the internal strength associated to fluids, it is from this physical theory that this video work proposes a metaphoric audio visual performance. Taking as point of departure the inverted fall of liquids, creating a poetic journey about the relation of the body to various liquid elements, shadows and objects…

Through a narrative weft punctuated of fragments of words spread into a floating narration.This project is a performed with video, acoustic and electronic live instruments.

In a dreamy soundscape two alto, machines and noises, try to illustrate the unbearable lightness of the body confronted to its own finitude.

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mecanique des fluide, live at maki, angouleme, residency homemade collectif
foto credit flavorflavy

 – cube d´ombres residency 2009 –

homemade residency in south of france
second version of cube d’ombre

lucie domingo
andré fèvre
raquel meyers
domitille sayas

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photo credit flavorflavy

 – cube d´ombres residency 2008 –

live multimedia installation, dance, sound, realtime video feedback with texture intergrated, acoustic and various sounds

september 2008, residency pixels transversaux, La Générale en Manufacture

october 2009 homemade collective residency at maki, angouleme

with vixid partnership

video aude françois

sound emotype, andré fèvres, lucie domingo

personnage lucille trouttet, raquel meyers

costumes céline pelé

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photo credit yroyto

 – retro collection 2008 –

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